Writer-critic B Jeyamohan Slams Manjummel Boys, Calls Malayalees ‘Loafers’

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Writer-critic B Jeyamohan Slams Manjummel Boys, Calls Malayalees ‘Loafers’


The movie is written and directed by Chidambaram.

Manjummel Boys has been capable of impress critics in addition to the viewers and is breaking all data when it comes to its field workplace collections.

The Malayalam movie business is at present buzzing with the success of the lately launched movie Manjummel Boys, which has been receiving each important acclaim and industrial success. Directed by Chidambaram, this survival thriller has managed to seize audiences’ consideration and break data on the field workplace, reaching the outstanding milestone of Rs 100 crore in simply 12 days. Starring a proficient ensemble forged together with Soubin Shahir, Sreenath Bhasi, Balu Varghese, Ganapathi S Poduval, Lal Jr and Deepak Parambol, the movie has struck a chord with viewers for its gripping storyline and stellar performances.

Amid the celebrations of its success, the movie has additionally discovered itself embroiled in controversy resulting from scathing criticism from Tamil author and critic B. Jeyamohan. In a weblog submit, Jeyamohan didn’t maintain again as he expressed his discontent not solely with the movie but additionally with sure facets of Malayalam cinema and Malayalee vacationers.

While Jeyamohan initially disclaimed reviewing movies resulting from his involvement within the business, he launched right into a tirade in opposition to Manjummel Boys and its portrayal of Malayalee vacationers in Tamil Nadu. He expressed irritation at what he perceived because the reckless behaviour depicted within the movie, with characters partaking in ingesting and disregarding guidelines throughout their highway journey. This depiction, in accordance with Jeyamohan, mirrored negatively on Malayalee vacationers, whom he accused of behaving equally in actual life.

His criticism didn’t cease there. Jeyamohan went on to make derogatory remarks about Malayalees, labelling them as ‘porikkis,’ or loafers and condemning the portrayal of happiness in Malayalam cinema as synonymous with alcohol consumption and rowdy behaviour.

The backlash from Jeyamohan’s feedback has ignited a heated debate inside the business and amongst followers. While some have defended the movie and Malayalam cinema as a complete, others have echoed Jeyamohan’s sentiments, calling for extra accountable storytelling and illustration in movies.

Despite the controversy, Manjummel Boys continues to attract audiences to theatres, proving to be a industrial juggernaut. However, Jeyamohan’s critique serves as a reminder of the significance of nuanced portrayals and the impression of cinema on societal perceptions and values. As the talk rages on, it stays to be seen how this controversy will form future discussions inside the business.



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