Aamir Khan, Bhumi Pednekar, Kriti Sanon, Sonakshi Sinha Attend Star-Studded Netflix Networking Party: Video

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Aamir Khan, Bhumi Pednekar, Kriti Sanon, Sonakshi Sinha Attend Star-Studded Netflix Networking Party: Video


NEW DELHI: Streaming large Netflix hosted a star-studded networking get together in Mumbai on Saturday night time (Feb 18) to welcome its co-CEO Ted Sarandos, who got here right down to India to launch Sanjay Leela Bhansali’s much-anticipated debut sequence ‘Heeramandi’. The welcome get together noticed in attendance some well-known from the tinsel city akin to Karan Johar, Aamir Khan, Anil Kapoor, Atlee, Vignesh Shivan, Kriti Sanon, Sonakshi Sinha, Rana Daggubati, Khushi Kapoor, Rhea Kapoor, Bhumi Pednekar, Konkana Sen Sharma and others. 

The stars had been seen posing with Ted Sarandos on the occasion. Aamir Khan, who was final seen in ‘Laal Singh Chaddha’, opted for a sober look and turned out in a purple kurti and black backside, while Karan Johar opted for a trendy gray blazer whereas attending the Netflix Networking Party. 

Anil Kapoor appeared evergreen as ever in a light-weight blue blazer which he teamed with a white tee and white sneakers. His daughter Rhea Kapoor selected a black and white mixture for the night. Shefali Shah, who has gained hearts along with her sensible efficiency in ‘Delhi Crime’ and ‘Doctor G’, additionally wore a black and white apparel for the occasion. 



Aditi Rao Hydari, who will likely be seen in ‘Heeramandi’ was seen all decked up for the night. 

Netflix networking party

Sonakshi Sinha, Kriti Sanon, Rakul Preet, Khushi Kapoor, and Bhumi Pednekar added glamour to the get together with their fashionable appearances. 







Tillotama Shome and Konkona Sen Sharma on the Netflix networking get together. 

Rajkummar Rao and Patralekhaa seen at Netflix networking get together. 

Speaking of ‘Heeramandi’, the sequence options Manisha Koirala, Sonakshi Sinha, Aditi Rao Hydari, Richa Chadha, Sharmin Segal, and Sanjeeda Sheikh in lead roles. The sequence explores the cultural actuality of Heeramandi, a blinding district, by means of the tales of courtesans and their patrons set towards the tumultuous backdrop of the Indian freedom wrestle of the Forties.





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