Samantha Akkineni simply gave a superb efficiency in “The Family Man 2″, if you choose to overlook the make-up slip about her antagonist, the Tamil terrorist Raji. On the show, Samantha’s face was ‘browned up’ more than necessary, to pass her off as the Sri Lankan Tamil character she plays. The outcome was not quite what one would have hoped for. The brownface syndrome had struck in Bollywood again, this time on the OTT screen.
The term brownface generally refers to lighter-skinned actors getting drastic darkening make-up to pass off as darker-skinned characters. We have seen it happen in Indian showbiz many times, and more often than not, like Samantha, the outcome has come across as a gaffe on screen. Several actors have gone a shade too many deeper while browning up for a role.
In the past, you could think of Shreeram Lagoo’s face being almost painted black in “Souten”, or Radhika Sarathkumar’s character Chando in “Naseeb Apna Apna” starting off as an overtly made-up dark woman because it was a tale of a rustic ugly duckling metamorphosing into the pristine swan.
Rajendra Kumar had a double role as twins in “Gora Aur Kala”, the place one brother, born with a blood dysfunction, has darkish pores and skin — cause sufficient for the make-up division to unleash bootpolish remedy on his face. Sunil Dutt performed the brownfaced farmer-turned-bandit Birju in “Mother India”. Dharmendra had shades of the black-brown daubed on himself that hardly seemed authentic, while essaying the Abyssinian slave Yakut Jamaluddin in “Razia Sultan”.
Quality of every thing together with make-up has turn out to be extra refined in our movie business — so they are saying. Yet, in the case of browning or blackening of actors, we nonetheless are likely to go excessive. IANS seems to be at just a few current examples.
SAMANTHA AKKINENI in THE FAMILY MAN 2
South star Samantha made her debut in the digital area with an excellent efficiency in season two of the collection. She portrays the antagonist Raji, a Sri Lankan Tamil terrorist. To make her look the function, she is made to put on a darkish pores and skin shade that would appear twice her precise pores and skin color. It’s the one unbelievable factor about her in any other case genuine portrayal.
HRITHIK ROSHAN in SUPER 30
Bollywood famous person Hrithik Roshan got here beneath the scanner throughout “Super 30″ where he played the role of Anand Kumar, the math whiz from Bihar who revolutionised preparation for entrance exams by crafting an affordable but effective education model. Kumar is far from Hrithik’s Greek God looks, and while the actor couldn’t do anything about the glaring disparity in physical built, he liberally had his face bronzed to get his ultra-fair complexion a few shades closer to Kumar’s darker heartland hue.
BHUMI PEDNEKAR in BALA
Bhumi Pednekar went brown with vehemence for the Ayushmann Khurana starrer “Bala”, to essay a dark-skinned woman. The movie handled a number of points, one being about dark-skinned ladies getting a uncooked deal in the wedding scene owing to pores and skin color. Bhumi was pure as ever taking part in the function, her made-up pores and skin was not.
RANVEER SINGH in GULLY BOY
Ranveer Singh was cherished as Murad, an aspiring rapper in the slums of Mumbai. “Gully Boy” raked in crores at the box-office, but critics and fans alike were quick to notice that Ranveer had gone a few shades darker. The makeover had absolutely no connection with the storyline or his character in the film.
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